I do hope you enjoyed last week’s exploration of the Museum of Childhood. I thought today I’d show you a few photographs from outside, and share a brief outline of the museum’s own story.
At the beginning no-one was really clear as to what the aim of the museum was, it was all a bit of a muddle. The outline concept was to bring cultural education, well remnants of the Great Exhibition of 1851,Β to the local East End population. Bethnal Green initially responded positively and welcomed the opportunity to have their own district museum, specially since three local leaders had been badgering parliament for years to have one.
In 1868 they were provided with a prefabricated iron structure to house it, and over the next four years a high flying architect, James Wild, redesigned it and they even got F R Moody (who created the ceramic staircase in the V&A) to design some glass panels for art students to create. The marble floor was laid by the inmates from the UK first purpose-built female prison, Woking Gaol.
However nobody, it seems, was commissioned to think about the contents! Initially items from the Great Exhibition were displayed here, along with randoms collections from the South Kensington Museums, the Royal Family and Sir Richard Wallace. By 1922 it was decided the museum needed a more focused purpose, and the curator – Arthur Sabin – elected to make it child friendly as he’d noticed the main hall was frequently filled with bored noisy children. He was assisted in his efforts in sourcing child related objects by a Mrs Greg of Leeds and also Queen Mary, who donated many of her toys and those of the Royal family. Apparently the Royal family around this time were known for using the museums as a storage facility. The collection became very popular and in 1974, under the V&A leadership of Roy Strong, the museum was renamed the Museum of Childhood. I suspect the renaming and reorganisation might have happened sooner, if it has not been for the museum’s life as a British Canteen during, and for a short time after, World War Two.
What a great story – especially about the creation of the floor – and in fact it’s all a bit of a British Muddle which has led to good things in the end.
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We’re good at muddles aren’t we!
And I know the floor is fascinating, just hope they don’t hide it when they refurbish
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They won’t. Museums shouldn’t hide history, should they?
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Hmmm, they shouldn’t but . . . . . .
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How amusing that the Royal Family liked to “donate” their stuff. I suppose it was an easy way of having a declutter. π I’d enjoy spending a few hours at this museum.
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Suspect they were all recovering from Queen Mary who used to ‘acquire’!
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Those panels are interesting..
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Wish I could see them close up, or at least in sunshine!
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Ah, Roy Strong, Iβd almost forgotten about him! You sent me to my bookcases because I was thought I might have something by him, and indeed I do, on Elizabeth I.
PS Iβm puzzled by all the naked men too.
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I decided the naked men were a bit of fun by the artists whom created the panel – apparently they were all female!
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Must visit when we are able
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I do enjoy a bit of a reminisce at this sort of museum – I’m glad they got themselves organised and focused. π When we are free to go out and about again, it would be good to be able to visit it.
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So am I . . .although part of me would love to have seen it all higgledy piggledy
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That might have been fun.
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Hope you get sunshine soon.
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Don’t worry Carol this was back in January . . we’ve had sunshine virtually none stop for the past two months
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Good to know! After all sunshine kills the virus π¦ according to USβs leader ππ weβre all safe now.
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lol!!!
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This is somewhere I always meant to visit when we lived in Rochester and London was an easy trip. Those wall panels are v. striking, though the naked fishing, mowing and ‘going to market’ are somewhat puzzling. Am now hoping that my liking your post isn’t going to cause a kerfuffle π
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Rochester is a lovely place, not surprised you never made it here!
I know the panels are most unusual . .
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